Sunday, 24 April 2016

Mini Title Agency


www.minititle.com

+44 230 5984215

Many Photographers they represent and many clients are international so it is important they have all additional information to make contact as easy as possible.

Mini Title has one office localed in London. The Hot House
                                                                         744 Richmond Road
                                                                         London
                                                                         E8 3QW

Clients :

Photographers











Illustrator


Art Direction & Set Design


Creative Direction


 
 Mini Title was founded by Chris McGuigan and launched in June 2011. McGuigans premise is to support a small group of Artists who can move easily between the commercial and artistic sectors.



Mini Title use their Facebook page to advertise jobs such as an office junior. I will research a list of agencies to add to my social network sites to keep an eye out for these opportunities.


Mini Title have 817 followers while following 425. These agencies could be following me looking at my work...



The most popular platform is Instagram to follow Mini Title. However, they still seem fairly selective on who they follow. Again, to be followed by agencies, especially when they only follow a select few, is a great way to have them engaging with my work.


 
 
 
 
 
 

Saturday, 23 April 2016

Photographers Style. Class work with Shaun Vincent

Paolo Pellegrin


On looking at Paolo's work and discussing his style, we agreed his style consisted of;
being monochrome, high in contrast, always black and white, retro in style, often blurry-which gives the essence of hurry or movement to the viewer and because of this we deemed him similar to Robert Capa.



Hiroshi Sugimoto



We agreed his style shows the passing of time, that it is meditative and symmetrical.





Brook Shaden

 
We agreed Brooks style is surreal, muted, cross-processed, heavily manipulated, dreamlike and otherworldly.


 

Friday, 22 April 2016

Student Photographers Online Presence (& my own)

 
Chloe Rose Weaver - Farnham Photography Student
 
 
Chloe Weaver is a student in Farnham. Her Instagram account offers links to her twitter account and her Facebook so that she can be followed across many networking platforms. However, there is no sign of any website.

 
Her Instagram account is a mixture of work and personal life quotes. Personally I like reading these quotes, so as long as they are clean, I don't see any problem having them within her Instagram. However, as her career takes off, it might be mindful to create a more professional account, although I do think it is important for you to show a flare in your personality within your online presence.






Chloe's twitter account also provides the information of the other networking sites that you can find her on, along with direct links to make the transition between sites easy. She has listed the type of photography that interests her which allows followers to engage with that aspect of her interests.

 
Chloe also uses every photographic opportunity to upload to her twitter account showing that she is photographically engaged.



 
Chloe's Facebook page is locked for friends only-which is a good thing, as quite often on Facebook, what your friends/family tag you in can be out of your control, so to have the settings controlled is a more professional way to use this network.  However, he has created a like page, where anyone can join and can engage with her work.
 


 
 
Rhianna Hughes is a photography student in Falmouth.


 
Rhianna's twitter account is far from professional. She comes across a little immature and does not have much to say about what interests her. The only reference to her university is when she was accepted into it. She tweets about tampons and sperm and has no regard to having a professional manner or engaging anyone with the her project work.
 


 



Other than the declaration that she has no idea what she is doing, Rhianna's Instagram has a more professional feel to it. There are photographs and a cross over of self portraits which allows a little continuity through platforms. However, none of the platforms are linked to each other and she has no website. All in all, she needs to work on creating a more engaged and professional presence which has a continuous theme so that hopping between platforms has the same aesthetics. The platforms also need to be linked, otherwise people will not search and join/like/tweet on any other platforms.
 
 
Kimberley Jones in a photography student at Falmouth.

Her twitter account has little images on it-one! Her bio just states Meh! and she has no links to any other platform. This is not the way to make the most out of networking and online networks. She also tweets as would be expected from a Facebook status.
 
 
 

 

It has proved difficult find anymore about her, her email address doesn't provide any more information on a Instagram, Facebook or a website. All in all, her web presence is very poor and needs working on.


My Twitter..


 
Although I do use my twitter to document photography projects-I need to do this more. Also, I need to change my profile picture as the one I have is a family photo which does not feel very professional-and could put off potential clients.

 
My website is linked to my twitter, but not visa versa, this is something I need to work on. My website needs a little work also and some new images to be added. Also, I would like to set up google analytics to check the flow of my website.
 
 




Published Works




Invoice & Fee's



When designing this Invoice, I wanted to think about a few points.
Firstly, how long are the clients going to be able to use these images. Also, what part of the world they can use them and how can they use them. It is also important to add if I would like crediting and that the copywriter would always belong to myself allowing me to use the images as stock images.

It is important that it is clear to see what the client is getting-how many images, how they receive them and if any retouching would have been done to them.

Any day, other than the shooting days would be classed as pre/post production and be charged at half of the standard day rate.

Fee's

When pricing for a job, it is job dependant. If the task is an hour in the studio for a portrait then I may ask for a flat fee of £50. The images can be sold separately and copyright can be withheld. If I were assisting then I would charge a day rate, this would be upwards of £100 per day with any travel expenses charged at half of the day rate. For my own photography shoots I would again charge a day rate with the possibility of selling prints on top of this.













Monday, 11 April 2016

Interview with Anton Rodriguez


Message: Hi Anton

My names Rebecca, I am a third year photography student at Canterbury Chirst Church University and am currently working on part of an assignment where I need to contact a photographer and ask a few questions regarding their professional practise.

I have myself been working over the last two years within a tower block in Margate and looking closely at your project at the Barbican-(which is fantastic by the way) and I wondered if I emailed over a few questions if you would be available to reply?

Thank you so much for you time already.

Kind regards

Rebecca Littlechild

(Sent via Anton Rodriguez)


Anton Rodriguez <hello@antonrodriguez.co.uk>
Feb 17
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Hi Rebecca,


Thank you, yeah sure feel free to send over some questions.


Kind regards



Anton Rodriguez



On 17 February 2016 at 11:45, Squarespace <customercare@squarespace.info> wrote:




Hi Anton


That's brilliant, thank you so very much. 


What do you think of social media as a platform to out put your work? Does your opinion of social media as a platform change from your commercial work to your personal projects?


What style of portfolio do you use for your commercial work and why?


Do you market yourself as a brand, if so, how?


Have you considered contacting galleries to represent you in your personal projects?


What type of camera do you use and does the camera type inform your photography?


How do you meet the people you photograph? (Mainly the Barbican Project)


Do you find being embedded within the community useful for this project and why? Mainly the Barbican Project)




Do you meet with your sitters and discuss the shoot or just arrive on the day? Could you tell me a little bit on how a typical meet/shot would go?


Thank you again for your time Anton, I am currently writing my dissertation around photography in brutal architecture and this will help be a great help. 


Kind regards 


Rebecca 

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Anton Rodriguez
Mar 1
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Hey Rebecca, sorry for the slow reply, find my answers below.


What do you think of social media as a platform to out put your work? Does your opinion of social media as a platform change from your commercial work to your personal projects?


I think using social media to out put work is great and very important, Its gives your work a wider audience that may have not been seen your work else ware. I use social media for both commercial and personal work, I also gain a lot of new commercials jobs from people seeing my personal work on Instagram,


What style of portfolio do you use for your commercial work and why?


For commercial work I often show my website, instagram and will create a portfolio based on the type of job. I haven’t used a printed portfolio for many years as most of my clients have seen my work previously.


Do you market yourself as a brand, if so, how?


No, I do no marketing other than posting on social media, where I mix my personal lifestyle and commercial imagery.


Have you considered contacting galleries to represent you in your personal projects?


Yes, hopefully with my current project, Barbican Residents, I will be printing a book and doing a few shows.


What type of camera do you use and does the camera type inform your photography?


I Use a DSLR, the camera for me is just the tool. Obviously I use different lenses based on certain jobs but they are all just an extension of my eye and arm.


How do you meet the people you photograph? (Mainly the Barbican Project)


In the Barbican we have a online forum for residents, I put an informal advert online and asked if any residents would like to be part of my current project.



Do you find being embedded within the community useful for this project and why? Mainly the Barbican Project)


Yes, many of the subjections I’ve photographed are creative, or work in the creative industry. Usually we end up chatting for hours before taking any pictures, its nice to speak to like minded individuals and helps the subject feel more relaxed.


Do you meet with your sitters and discuss the shoot or just arrive on the day? Could you tell me a little bit on how a typical meet/shot would go?


I meet them for the first time on the day of the shoot. Usually we will chat beforehand for a good hour or so and talk about the Barbican, their profession and how they’ve found it living in the Barnican, this relaxes the subject and helps them feel more comfortable.


When photographing the subject, I always ask them to sit where they would usually relax, I don’t want the subject to feel awkward. The interview part of the project is done afterwards, I email the resident the questions to answer in their own time.

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Anton Rodriguez




Notes on interview
In reviewing Anton's responses, I find it really interesting that he said he gains commercial work from potential clients seeing his personal work via social networks such as Instagram. This has made me think about how I use my Instagram and how I could use this to my advantage. 
He also shows his Instagram as part of his portfolio along side his website. He said he creates portfolios depending on what type of job it is, however, he has not dealt with printed portfolios for many years. It is good to be mindful that at any point a potential client could ask to see your work and the likelihood is that the internet would be available. I say this for two points, firstly, to ensure that I have work ready, coherent and easily accessible via the net.  But also, in cases such as Instagram, to be mindful what is uploaded as potential clients may have access to this, so it should be kept individual, but professtional at the same time. 














A directory of inspirational Photographers

Mikael Subotzky   http://www.subotzkystudio.com/
Patrick Waterhouse  http://patrickwaterhouse.com/
Sirkka-Liisa Kontinnen  http://www.amber-online.com/people/32
Nadva Kander  http://www.nadavkander.com/
Tim Flach  http://timflach.com/
Tim Kolln  http://timmkoelln.com/
Mitch Feinburg  http://mitch.fr/
Paolo Pellegin http://www.magnumphotos.com/C.aspx?VP3=CMS3&VF=MAGO31_10_VForm&ERID=24KL535Y9H
Hiroshi Sugimoto http://www.sugimotohiroshi.com/
Thom Atkinson http://thomatkinson.com/
Samuel Bradley http://samuelbradley.com/
Michael Fried http://humctr.jhu.edu/bios/michael-fried/
Lottie Davies http://www.lottiedavies.com/
Penny Klepuszewska http://www.axisweb.org/p/pennyklepuszewska/
Alex Khan https://alexkhan.tv/
Julie Blackman http://julieblackmon.com/
Sandy Skogland http://www.sandyskoglund.com/
Delphine Balley http://www.parisphoto.com/agenda/delphine-balley
Zarin Bhimji www.zarinabhimji.com
Natasha Carvaha http://natashacaruana.com/
Rhiannon Adams http://rhiannonadams.com/
Martin Parr http://www.martinparr.com/
Rob Ball http://www.robball.co.uk/
Paul Strand http://masters-of-photography.com/S/strand/strand.html
Anna Fox http://www.annafox.co.uk/
Simon Norfolk http://www.simonnorfolk.com/
Keith Arnett http://www.keitharnatt.com/
Mark Klett http://www.markklettphotography.com/bio
Byron Wolfe http://www.byronwolfe.com/
Sally Mann http://sallymann.com/
Simon Roberts http://www.simoncroberts.com/work/
Marc Wilson http://www.markwilsonphotography.co.uk/
Todd McLellan http://www.toddmclellan.com/recent
Rafal Milach http://rafalmilach.com/
Klaus Pichler http://kpic.at/
Helga Steppa http://www.re-title.com/artists/helga-steppan.asp
Nick Veasey http://www.nickveasey.com/